<span style="font-family:Arial, Helvetica, sans-serif;font-size:small;">When magazine De Stijl was founded in 1917, Hungarian-Dutch artist Vilmos Huszár designed a brilliant logo for the magazine. His abstract black-and-white composition remained De Stijl’s calling card until 1921. This monotype or mono print is part of a series of experiments from 1924. Huszár's compositions consist of partially overlapping areas of colour and hatching, producing new blended shades. [text 2023]</span>
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When magazine De Stijl was founded in 1917, Hungarian-Dutch artist Vilmos Huszár designed a brilliant logo for the magazine. His abstract black-and-white composition remained De Stijl’s calling card until 1921. This monotype or mono print is part of a series of experiments from 1924. Huszár's compositions consist of partially overlapping areas of colour and hatching, producing new blended shades. [text 2023]
signatuur r.o. (met inkt): V. HUSZAR // VOORBURG (op de achterzijde staan de volgende vermeldingen: r.b.: 52.1481 \ H. de Lorm; onder: Farbiger Holzschnitt f 25,- (10 dollar))
Documentation
De Kleuren van De Stijl, Robbert Roos, Marjory Degen, Nynke Besemer, (Amersfoort, 2017), p. 43, afb. in kleur
Hongaarse avant-garde 1915-1925 = avant-garde hongroise 1915-1925, concept en red. Eva Bajkaj ... [et al.], (Turnhout, 1999), p. 101 afb. in kleur; cat. 34, p. 229
Rietveld & De Stijl, [texts Ida van Zijl, Frans Leidelmeijer], (Jakarta, 2006), p. 21 afb. in kleur
Exhibitions
Revolution in Rotgelbblau – Gerrit Rietveld und die zeitgenössische Kunst, Museum Marta Herford, Herford, 2017 - 2018
Rietvelds meesterwerk: Leve De Stijl!, Centraal Museum, Utrecht, 2017
Van Doesburg, a new expression of Life, Art and Technology, Paleis voor Schone Kunsten, Brussel, 2015 - 2016
Persistent url
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