Keith

Keith

Throughout his career, Close painted numerous selfportraits, always from photos. This simple but strict  limitation allowed him to concentrate fully on the transformation of the photo into an artwork, using a range of different techniques and materials. He always divided an image with a grid and ‘translated’ each square, one by one, onto a larger format. His prints, which he worked on for several months, were just as important to him as his paintings. Keith is a key early work in which he left the grid visible for the first time. In later works the grid became increasingly apparent and Close increasingly abstracted his portraits. [text 2024] 

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Throughout his career, Close painted numerous selfportraits, always from photos. This simple but strict  limitation allowed him to concentrate fully on the transformation of the photo into an artwork, using a range of different techniques and materials. He always divided an image with a grid and ‘translated’ each square, one by one, onto a larger format. His prints, which he worked on for several months, were just as important to him as his paintings. Keith is a key early work in which he left the grid visible for the first time. In later works the grid became increasingly apparent and Close increasingly abstracted his portraits. [text 2024] 

This object is now not on display in the museum

Title

Keith

Artist

Chuck Close (Monroe, Washington 1940 - 2021 Oceanside, New York)

Dating

1972 - 1972

Material and technique

mezzotint op papier

Object number

28873

Object type

prent, mezzotint

Acquisition

aankoop door Hedendaagse Kunst-Utrecht (overdracht van HK-U aan CM d.d. 30-11-1989) 1975

Dimensions

hoogte (blad) 128 cm

breedte (blad) 105 cm

hoogte (plaat) 123 cm

breedte (plaat) 89.5 cm

hoogte (met lijst) 132 cm

breedte (met lijst) 108.2 cm

Inscriptions and markings

  • niet gesign. :

What

(herkomst) afkomstig van Hedendaagse Kunst-Utrecht (inv. nr. HKU 75.04)

Remarks

Oplage 10 stuks

Documentation

  • Amerikaans fotorealisme : grafiek, samenst. kat. Heinz Holtmann ; . vert. en bew. Wouter Kotte, (Utrecht, 1974), verg. cat. nr. 9, pp. 26-27, met afb.

  • Amerikaans fotorealisme = Amerikanischer Fotorealisme = American Photorealism : de verzameling = die Sammlung = the collection: Museum Hedendaagse Kunst Utrecht, [tekst Wouter Kotte], (Utrecht, 1988), cat. nr. 3, p. 67, met afb.; p. 98

  • Beeldende kunst 1850-2001, Marja Bosma, (Utrecht, 2001), pp.. 613-616, met afb. in kleur

Exhibitions

  • Op scherp - Fotorealisme nader bekeken, Centraal Museum, Utrecht, 2024

  • Photorealism. 50 Years of Hyperrealistic Painting, Kunsthal, Rotterdam, 2017

  • Photorealism. 50 Years of Hyperrealistic Painting, Osthaus Museum Hagen, Hagen, 2016 - 2017

Persistent url

To refer to this object please use the following persistent URL:

https://hdl.handle.net/21.12130/collect.07D768B5-AC69-428B-AF2D-291215CA1EB6

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