The photo in this car door is from an earlier artwork that Kienholz exhibited at Documenta 5: a tableau <br>of life-size sculptures in which a group of white men castrates a Black man in a parking lot. By framing the photo in a car window, Kienholz takes us to the parking lot and we unwittingly become witnesses. This grim vision of American society was given no space within Photorealism. [text 2024]
The photo in this car door is from an earlier artwork that Kienholz exhibited at Documenta 5: a tableau of life-size sculptures in which a group of white men castrates a Black man in a parking lot. By framing the photo in a car window, Kienholz takes us to the parking lot and we unwittingly become witnesses. This grim vision of American society was given no space within Photorealism. [text 2024]
Op scherp: Fotorealisme nader bekeken / In Focus: A closer look at photorealism, Hanneke Grootenboer, Esmee Postma, met een bijdrage van Linda Nochlin, (Zwolle, 2024), p. 39, afb. kleur
Pop Art [1995], red. Willemien Ippel. tekst Cees Straus. C. Straus, (Rotterdam, 1995), p. 86 afb.
Technics and creativity, (New York, 1971), verg. p. 68, met afb.; cat. nr. 279, p. 102,
Exhibitions
Op scherp - Fotorealisme nader bekeken, Centraal Museum, Utrecht, 2024
De Zeven Hoofdzonden, Centraal Museum, Utrecht, 2013 - 2014
The Small Utopia. Ars Multiplicata, Ca' Corner della Regina, Venetië, 2012
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