Foamboy
The sheer volume and appearance of HEYNIEK/Niek Pulles' black Foamboy are monumental: Foamboy is all about experimenting, recycling, the body and disruption. Pulles (1986) implements an unorthodox way of creating shapes and silhouettes which blurs the boundaries between sculpturing and fashion. The graphic pattern is achieved by glueing waterjet cut pieces of foam in different shapes closely together on to a mannequin. The intense gaze from the dark eyes of a skull emanates from the middle of the chest. The alienating effect is reminiscent of the work of M.C. Escher or Oskar Schlemmer's Triadisch Ballet, particularly the play of light on the moving images. Foamboy was first on show in the ARRRGH! Monsters in Fashion exhibition (2013). Rei Kawakubo from Commes des Garçons asked Pulles to create the nineteen monstrous, black Foamboys. The synergy between these creations and Kawakubo's own designs for the Tachiagari (Japanese for beginning) collection that season was showcased in Comme des Garçons locations in cities such as New York, Tokyo and London. Niek Pulles designed the HAIR! Human hair in fashion art exhibition (2016) in co-operation with Harm Rensink.